Holiday Portrait Tips
Cameras are an inevitable presence at holidays and family get togethers. The good news is because people expect cameras to be around and are busy with the festivities you are less conspicuous as a photographer. If they have a few drinks to loosen up, all the better. ;)
The Group Portrait
When time for the group photo does come remember this: scene, squish, faces.
Scene
Look for the right spot before hand. Pick somewhere with enough room for everyone, even lighting and a background that won't distract. Stand back and look through the camera to make sure you can fit the whole scene in the frame. Outdoors is a great choice if you can coax people out in the cold.
Squish
Squish people together. Then turn them a bit sideways and squish even more. If you can't fit everyone in, squish some more and have small children kneel or sit in front.
Avoid people standing at a comfortable distance facing directly at the camera. This creates pictures with American Gothic Syndrome - a fine historical record but otherwise boring.
Faces
Make sure you can see everyone's face. There are lots of different rules about arranging people but for portraits at the holidays don't even try. Just make sure all the faces are visible.
Look around for some group wedding pictures as a reminder of what you're trying to accomplish. Notice how close everyone is and the lack of distraction in the background. Of course, holiday pictures should be more fun and less casual.
Shoot!
Use the widest angle lens you have. Shoot in portrait mode when in automatic or an aperture 6.3 or lower for manual shooting. This will cause the background to be blurred out and keep the focus on the people. This is the best choice the casual indoor shots as well, so set the mode for the day and forget about it.
Don't do the, "Cheese! Wait, wait one more!" bit. Say something like, "Here we go!" then keep talking and shooting until the group loses interest (one minute, tops). Use the low speed continuous shooting mode if the camera has one.
Casual Shots
It's okay to take pictures of just a few people or even one person. These can be some of the most rewarding shots that capture the individuals and happenings as people remember them.
Keep the camera handy. Take pictures when you are least likely to remember to do so, that is, if you can remember. The funny or awkward moments make for the best shots. That is where the essence of the people and the holiday are.
Notice the things that make people recognizable and include them. The uncle with the crazy mustache, the six year old missing two front teeth or the tacky Christmas sweaters grandma wears every year.
Also notice the things that characterize how people interact. Are two brothers always badgering each other? Shot them the next time they chase each other through the kitchen. Are there holiday collaborators? The two cousins who conjure up a secret egg not recipe every year. Shoot them mixing it up.
For kids, get down on their level.
If the lighting is low enough that flash is required dial down the flash exposure compensation (if the camera allows) and place some kind of diffuser over the flash bulb. Tape and toilet paper will do. For more on making the best of built-in flash, see the earlier entry on best and worst equipment.
This Shot
This portrait of my son is from a small Christmas party at a friend's boutique. There was a bowl full of lollipops at a child friendly height. Throughout the night he managed to dig every last blue lollipop out of the bowl. I enjoy this picture because it reflects who he is and what he's up to. The background identifies the holiday setting while the coy look and lollipop give a sense of childish mischief. The perspective is at his level creating a more intimate feel. A touch of serendipity helps. The chance blue color of the lollipop helps it pop (haha!) and stand out, reinforcing the reminder of his mischief.





Comments
if you are looking for 430 EX
if you are looking for 430 EX II check http://www.430ex.com
Thanks, Emma! You already
Thanks, Emma! You already know about this site, but for others looking for a cute kid fix see http://family.reusch.net/
Jason your pictures are so
Jason your pictures are so amazing! They seem to get better and better, but my favorite is still my adorable little Robbie. :)
Jason, I will post some
Jason, I will post some before and after NN pics to my Flickr site for your perusal. I was in SF last spring and was at a friend's house . . . way up over the Castro in a home with one of those SF views that is momentarily vertigo-inducing . . . just started shooting some interior shots looking out with my handy Nikon D50. Got some shots I really liked but the noise was frustrating. I was shooting "manual" without using my Flash and had no tripod so couldn't get a lot of light . . . and the ISO on the D50 only goes to 1600. So Noise Ninja to the rescue, once I got back here and unpacked all my shots.
In Aug I was in the National Gallery and standing next to a guy in a fairly dark gallery and he was shooting with a Nikon -- much more costly than my humble D50 -- we started talking -- the images on his LCD were beautiful . . . he was shooting with no Flash but an ISO of 6400. He claimed there was very little noise at that setting, which appeared to be the case.
Thanks for the support Judy!
Thanks for the support Judy! I'd be interested to see the before and after for some shots processed by noise ninja. I've been using the noise reduction in Lightroom and it does quite well but does have its limits.
I bought a Photoshop plugin
I bought a Photoshop plugin last year called Noise Ninja . . . to (what else?) pull the noise out of inadequately lit shots. This has worked amazingly well and is quite adjustable/sophisticated. I chose NN based on several hours of research, comparing it with another noise reduction plugin, the name of which I can't recall at the moment. Have also been experimenting with gradient lens blur in Photoshop to get that tight shot/low fstop look since my (one) lens won't accommodate that. Huge fun. Thanks for your photo blog!
What a fun idea! I'll say,
What a fun idea! I'll say, you are upstaging me on the group portrait ideas. I agree, some sort of light source would be needed. And a wide angle lens!
I'm hoping for a Canon Speedlite 430EX II Flash
for Christmas...
About the high ISO - I agree
About the high ISO - I agree that some people will be peeved by poor low light performance. I suppose my comment is geared more to those people who understand ISO, eV, and the like. I like you suggestion of experimenting with flash/no flash and see what looks good. Prob the best way to go for people using point and shoots. For those using dslr's, Off camera flash in a lot easier to do.
Another group shot idea I'm dying to try is to shoot up at the group - lay down in the floor, have everyone get into a football huddle, and
d fire away. Prob def need some sort of flash or light source, but it might turn out interesting. If I get the shot I'll post t and let you be the judge.
SK
That's a good tip! It's so
That's a good tip! It's so good, I might have to add it to the useful bit... It's worth a try for the casual shots as well. Just hop up on a stool, chair or step.
I was debating how much to say about flash. This post was already getting a little complicated so I decided not to address the to use or not to use question. When I first started using digital cameras the higher iso performance was so bad I've been trained to stay away from higher ISOs. I was also worried about suggesting no flash and getting berated by people who were the victim of uneven lighting. Cousin Ed looks great by the window, but everyone else is in the dark.
Maybe turn the flash off, shoot a bit and turn it on if you have to?
Great advice as always,
Great advice as always, Jason. I can't remember where I read this, but one suggestion for group shots is to shoot them from above. If you can find a ladder or other high spot, you can get everyone to stand together in a "clump" and look up at the camera. The advantage here, aside from being a shot you don't see terribly often, is that differences in heights tend to be less noticeable.
Another thing I'd recommend - turn the on-camera flash off. I think you've mentioned it before, but the on-camera flash does little more than flatten the scene and rob you of depth of field. Even the little point and shoots there days can handle fairly high ISO's.
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